French director Ugo Bienvenu's Academy Award–nominated animated film Arco is part fanciful tale of rainbows, time travel, and childhood friendship, part climate change fable. It all kicks off when 10-year-old Arco (voiced by Juliano Valdi in the English-language dub) steals his sister's time-traveling cloak and journeys from 2932 to 2075. There, he becomes fast friends with young Iris (voiced by Romy Fay), and the two endeavor to get him home. The pair's efforts play out against a sobering backdrop of ecological disaster, creating a poignant portrait of a world in crisis, and the hopeful young souls who will inherit it.
Following the press screening at the New York Film Festival, Jarmusch said in a Q&A that he didn't make this movie with a message in mind. To suggest there's a resolute message would be to misrepresent the gentle development of every section of this film. Yet viewed as a whole, I found FATHER MOTHER SISTER BROTHER breathtaking in what it has to say about family. On one level, it's a reminder that every family is different and the same. We are all connected by a bunch of experiences, big and small, that are just so common they might be overlooked without the focus of a filmmaker on them. But beyond that, FATHER MOTHER SISTER BROTHER is a cool, rich, and wonderful celebration of familial love, which binds us and defines us — but not entirely.
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主干道被乱停的车辆堵得水泄不通，路边散落着蔫掉的菜叶和塑料垃圾，地面上散布着不少干涸的痰迹。街道的脏乱仿佛成了一种默许，违停与垃圾不再被视为问题。鸣笛声此起彼伏，人们谈论的多是家长里短，而非“头上的星空与心中的道德律”。在这样的环境里，我们也不自觉地爱上议论是非、拆解他人。，这一点在heLLoword翻译官方下载中也有详细论述
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